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Nick Boso

Art Handler at Gagosian

Nick Boso is an accomplished art professional with diverse experience in art handling and archival work. Currently serving as an archivist at the Institute for Studies on Latin American Art (ISLAA) since October 2023, Nick is responsible for cataloging and organizing research materials. In addition to this role, Nick is actively involved as an art handler for several prominent galleries and institutions, including Hauser & Wirth, LGDR, Gagosian, The Museum of Modern Art, Andrew Kreps Gallery, Harper's Chelsea, Mendes Wood DM, and Pace Gallery, specializing in the installation of contemporary art exhibits. Nick's expertise is further complemented by carpentry skills demonstrated through work with Coda Ramps, constructing private skateparks. Nick holds a Bachelor’s Degree in Fine and Studio Arts from Columbus College of Art & Design, earned from 2011 to 2015.

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Gagosian

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In thirty years Gagosian has evolved into a global network with seventeen exhibition spaces in New York, Los Angeles, San Francisco, London, Paris, Geneva, Basel, Rome, Athens, and Hong Kong, designed by world-renowned architects including Caruso St John, Richard Gluckman, Richard Meier, Jean Nouvel, Selldorf Architects, and wHY Architecture.Gagosian’s vibrant contemporary program features the work of leading international artists including Georg Baselitz, Ellen Gallagher, Andreas Gursky, Anselm Kiefer, Jeff Koons, Takashi Murakami, Ed Ruscha, Richard Serra, Taryn Simon, Rachel Whiteread, and many others. Additionally, unparalleled historical exhibitions are prepared and presented on the work of legendary artists such as Francis Bacon, Alexander Calder, John Chamberlain, Willem de Kooning, Lucio Fontana, Helen Frankenthaler, Alberto Giacometti, Roy Lichtenstein, Piero Manzoni, Claude Monet, Henry Moore, Jackson Pollock, David Smith, Cy Twombly, Andy Warhol, and others. A series of groundbreaking Picasso surveys curated by John Richardson has been attended by hundreds of thousands of visitors in New York and London.


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