National Gallery of Canada
Amanda Kelly is an accomplished professional with extensive experience in arts communications and education. Since October 2015, Amanda has served as Associate Director at Pickles PR, advising on digital strategy for arts institutions, museums, and galleries. In addition to this role, Amanda has been an adjunct professor at IE University since June 2017, teaching courses in art and business as well as project management. Amanda's editorial contributions are evident through ongoing work as an editor and writer for the National Gallery of Canada and as a communications consultant for Dandelion Snow Communications. A former news writer for S&P Global Market Intelligence and social media manager for El País, Amanda has also held various positions in communications and content production at Global News and the Musée McCord Museum. Amanda holds multiple degrees from prestigious institutions including the University of Cambridge and the University of Saskatchewan, with training in project management from Université de Montréal and publishing from the University of the Arts London.
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National Gallery of Canada
When the National Gallery of Canada was established in 1880, its collection consisted of a single 19th-century landscape. Nearly 140 years later, the Gallery is home to more than 75,000 works of art, along with extensive library and archival holdings. Comprising works from antiquity to the present day, the Gallery has one of the finest collections of Canadian and Indigenous art in the world, as well as masterworks from numerous other artistic traditions. In addition to showcasing works of art, the Gallery preserves, studies and shares works in every conceivable medium, including photography, sculpture, painting, installation and the decorative arts. It does this through conventional means such as exhibitions and publications, as well as through its website, social media channels and other forms of international outreach. Housed in one of Canada’s most iconic public buildings, the National Gallery of Canada is among the world’s most respected art institutions. As part of its ongoing evolution, and in response to the changing expectations of museum-goers, the Gallery recently renewed its entire narrative on Canadian and Indigenous art, sharing a new and compelling story of artistic production in this country, from time immemorial to the present day.