National Gallery of Canada
Michelle LaVallee is a seasoned professional in the art and cultural sector, currently serving as the Director of Indigenous Ways and Decolonization at the National Gallery of Canada since March 2022. Prior to this role, Michelle held the position of Director at the Indigenous Art Centre within Indigenous and Northern Affairs Canada from October 2017 to March 2022. Michelle's extensive experience includes a decade-long tenure at the MacKenzie Art Gallery, where key responsibilities involved curating major exhibitions and managing significant budgets. Earlier roles included curatorial positions at A Space Gallery and the Association For Native Development In The Performing And Visual Arts. Michelle holds a Bachelor of Fine Arts from York University and is a Master's degree candidate in Multi/Interdisciplinary Studies, Art History and Curatorial Studies at the University of Regina. Additionally, Michelle has a Bachelor of Education from York University focused on Fine Arts education.
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National Gallery of Canada
When the National Gallery of Canada was established in 1880, its collection consisted of a single 19th-century landscape. Nearly 140 years later, the Gallery is home to more than 75,000 works of art, along with extensive library and archival holdings. Comprising works from antiquity to the present day, the Gallery has one of the finest collections of Canadian and Indigenous art in the world, as well as masterworks from numerous other artistic traditions. In addition to showcasing works of art, the Gallery preserves, studies and shares works in every conceivable medium, including photography, sculpture, painting, installation and the decorative arts. It does this through conventional means such as exhibitions and publications, as well as through its website, social media channels and other forms of international outreach. Housed in one of Canada’s most iconic public buildings, the National Gallery of Canada is among the world’s most respected art institutions. As part of its ongoing evolution, and in response to the changing expectations of museum-goers, the Gallery recently renewed its entire narrative on Canadian and Indigenous art, sharing a new and compelling story of artistic production in this country, from time immemorial to the present day.