Snøhetta
Henrik Eriksen is a seasoned design professional with extensive experience in graphic design, art direction, and film direction. Currently serving as a Senior Designer at Snøhetta since January 2016, Henrik also operates Studio Henrik Eriksen, providing graphic design, art direction, and film direction services since September 2009. Prior to these roles, Henrik held the position of Senior Graphic Designer at Anti Inc AS from January 2013 to December 2015, and was an Art Director at both Ludens Reklamebyrå AS and Good News between 2006 and 2008. Educational credentials include a Bachelor of Fine Arts in Visual Communication from Beckmans Designhögskola, alongside qualifications from the Norwegian Military Academy and a Craft certificate in Printmaking from Opplæringssenteret for Visuell Kommunikasjon.
This person is not in the org chart
Snøhetta
2 followers
Snøhetta is an international integrated architecture and design firm. The practice has a global presence, with offices spanning from Oslo, Paris, and Innsbruck, to New York, Hong Kong, Adelaide and San Francisco. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. Since its inception, the practice has maintained its original transdisciplinary approach, and integrates architectural, landscape, interior, product, graphic, digital design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice. Snøhetta is currently working on a wide range of international projects, including the Ordrupgaard Art Museum expansion in Denmark and the Shanghai Grand Opera House. Recently completed works include Le Monde Group Headquarters in Paris, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and the design for Norway’s new banknotes. Snøhetta’s working method practices a simultaneous exploration of traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Snøhetta believes well-conceived design can help things run more efficiently, improve people’s well-being and make life more enjoyable. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.