The Paris Review
Sarah Cowan is a seasoned professional in video production and art writing, currently serving as the Senior Video Producer at The Museum of Modern Art since November 2021. In this role, Sarah oversees the video team and executes content strategies that enhance audience engagement. With extensive freelance writing experience since 2013, Sarah has contributed to prestigious publications such as The Paris Review and The New Yorker, focusing on modern and contemporary art, film, and literature. Sarah’s prior experience at The Metropolitan Museum of Art included roles as Video Editor/Producer and Content Producer, where significant projects like the award-winning Met Stories series were developed. An alumnus of Tufts University with a degree in Art History, Sarah’s diverse skill set encompasses video production, writing, and collaboration with various art institutions.
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The Paris Review
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Founded in Paris by Harold L. Humes, Peter Matthiessen, and George Plimpton in 1953, The Paris Review began with a simple editorial mission: “Dear reader,” William Styron wrote in a letter in the inaugural issue, “The Paris Review hopes to emphasize creative work—fiction and poetry—not to the exclusion of criticism, but with the aim in mind ofmerely removing criticism from the dominating place it holds in most literary magazines and putting it pretty much where it belongs, i.e., somewhere near the back of the book. I think The Paris Review should welcome these people into its pages: the good writers and good poets, the non-drumbeaters and non-axe-grinders. So long as they're good.”