Derek Crawley

Packaging Specialist at Third Man Records

Derek Crawley is an experienced professional with a background in logistics, supply chain management, and customer service. Currently serving as a Packaging Specialist at Third Man Records since September 2022, Derek is responsible for marking and labeling packages, operating various packaging machines, and ensuring product quality with a keen attention to detail. Previously, Derek worked as a Server at Mark Ridley's Comedy Castle, managing customer orders in a fast-paced environment. At Ford Motor Company, Derek held roles as a Cost Estimator and in Electrification, focusing on cost savings opportunities and process improvements within purchasing and supply chain systems. Earlier experience includes an Operations Intern position at United Road Services, where revenue reporting was a key responsibility, and a Maintenance Lead role at Riverview Highlands Golf Course. Derek holds a Bachelor of Business Administration in Logistics, Materials, and Supply Chain Management from the University of Michigan-Dearborn.

Location

Detroit, United States

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Third Man Records

Third Man Records was launched by Jack White in Detroit, MI in 2001, and in 2009 opened its current Nashville, TN location, which houses a record store, novelties lounge (featuring the Third Man Record Booth), label offices and distribution center, photo studio, and the world’s only live venue with direct-to-acetate recording capabilities. Third Man Records returned to Detroit in November 2015 with its second retail location, Third Man Records Cass Corridor — record store, novelties lounge, in-store performance stage, record booth, and vinyl record pressing plant, which you can witness in action through viewing windows in the store, pressing the very records available for purchase. Third Man is an innovator in the world of vinyl records and a boundary pusher in the world of recorded music, aiming to bring tangibility and spontaneity back into the record business and issue releases that leave no doubt in the minds of listeners that music is sacred.


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11-50

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