Katie Debonville

North America’s first permanent Baroque orchestra. Founded in 1973 by Music Director Martin Pearlman, Boston Baroque has garnered a global reputation for its lively, groundbreaking, emotionally-charged performances and recordings that bring early music to life for modern audiences. Boston Baroque’s orchestra is composed of some of the finest period instrumentalists performing today, and is frequently joined by the ensemble’s professional chorus and by a roster of soloists who grace the world’s most renowned concert halls and stages. The ensemble performs Baroque and Classical music using period instruments and performance techniques that reflect the time in which the music was composed. Boston Baroque believes that Baroque and Classical music is music for all times. Boston Baroque’s 26 acclaimed commercial recordings reach a global audience, and are frequently heard by millions on classical radio stations in North America and Europe, as well as on Boston Baroque Radio, Boston Baroque’s streaming channel. Boston Baroque’s recordings have received six GRAMMY® Award Nominations: its 1992 release of Handel’s Messiah, 1998 release of Monteverdi’s Vespers of 1610, 2000 release of Bach’s Mass in B Minor, 2014 release of Monteverdi’s Il Ritorno d’Ulisse in patria (two nominations), and 2017 release of Biber’s Mystery Sonatas. In 2012, Boston Baroque became the first American orchestra to record with the highly-regarded UK audiophile label, Linn Records, following a long and fruitful relationship with the Telarc label.