National Gallery of Canada
Chelsea Osmond is an experienced professional in the field of art and museum operations, currently serving as Publications Coordinator and English Language Editor at the Canadian Museum of History since March 2024. Previously, Chelsea held multiple roles at the National Gallery of Canada from August 2012, including Corporate Relations Officer and Marketing Officer, where responsibilities included planning and executing marketing campaigns, cultivating corporate partnerships, and managing exhibition projects. Chelsea's extensive background also includes positions at the National Galleries of Scotland, McGill University, The Rooms, Library and Archives Canada, and Courtauld Institute of Art, showcasing a strong commitment to art education, exhibitions, and research. Chelsea holds a Master of Arts in History of Art from The Courtauld Institute of Art and a Bachelor of Arts (Honours) from Queen's University.
This person is not in any teams
National Gallery of Canada
When the National Gallery of Canada was established in 1880, its collection consisted of a single 19th-century landscape. Nearly 140 years later, the Gallery is home to more than 75,000 works of art, along with extensive library and archival holdings. Comprising works from antiquity to the present day, the Gallery has one of the finest collections of Canadian and Indigenous art in the world, as well as masterworks from numerous other artistic traditions. In addition to showcasing works of art, the Gallery preserves, studies and shares works in every conceivable medium, including photography, sculpture, painting, installation and the decorative arts. It does this through conventional means such as exhibitions and publications, as well as through its website, social media channels and other forms of international outreach. Housed in one of Canada’s most iconic public buildings, the National Gallery of Canada is among the world’s most respected art institutions. As part of its ongoing evolution, and in response to the changing expectations of museum-goers, the Gallery recently renewed its entire narrative on Canadian and Indigenous art, sharing a new and compelling story of artistic production in this country, from time immemorial to the present day.