Bren López Gallo

Bren López Gallo has worked in various roles in the entertainment industry since 2016. In that year, they began working as Jefe del equipo de producción at Tecnológico de Monterrey, where they managed a team of stage crew, assistant directors, stage managers, production managers, and production stage managers for productions such as Shrek el Musical, Los 39 Escalones, Los Locos Addams, José el Soñador, Secretos en la Mansión, Don Giovanni, Mamma Mia!, and Estampas de México. In 2019, they began working at Alteacorp. as Auxiliar de producción y Asistente del General Manager, where they managed government permits for private and public projects, created internal documentation for the private project operations department, and organized, executed, and led the Information Module of the Calaverandia and Navidalia projects. Bren also worked at Créaa as Stage Manager for the musical production of Érase una Isla, providing organizational support to the director, actors, designers, stage crew, and technicians during the production process and performances. In 2020, they were Stage Manager y Caller at Luis Eduardo Ibarra Producciones for the monologue production of Atascados. In 2021, they joined DearDoc as Content Project Manager, where they managed products such as social media, website design, SEO, and paid ads, supervised new product launches, provided customer service, implemented and updated Salesforce, and ensured that all parties involved were aware of changes and how they might affect the team. Bren is currently employed at Bexi, Inc. as Project Manager.

Bren López Gallo began their educational journey in 2014 when they attended the New York Film Academy to receive a certification in Digital Filmmaking. In 2015, they obtained a certification in English from EF International Language Campuses and a Licenciatura in Comunicación y Medios Digitales from Tecnológico de Monterrey. Bren also attended Victoria University for Comunicación and National Association for Campus Activities for a Certification in Concert Management in 2018.