Motion Picture Editors Guild
Phil Brewster is an accomplished audio professional with extensive experience in recording, mixing, and sound editing across various media. Currently serving as Mix Tech at NBCUniversal Media, LLC since April 2018, Phil has also held the position of Manager and CEO at Rootcore Post Production Management since April 2017. With a freelance career starting in 1993, Phil has worked on notable projects involving artists such as Jason Mraz, 2Pac, Snoop Dogg, and Red Hot Chili Peppers, and has contributed to games, film, and anime. Phil is also the owner of ROOTCORE RECORDS and Core Merchandise Inc. and a sound editor with the Motion Picture Editors Guild. Phil's expertise encompasses ADR engineering and mixing, with previous roles at leading companies like Bang Zoom! Entertainment and Michael Thelin Productions. Phil holds a certification in Recording Engineering from Sound Master.
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Motion Picture Editors Guild
MPEG negotiates new collective bargaining agreements (union contracts) and enforces existing agreements with employers involved in post-production. We provide assistance for securing better conditions, including but not limited to financial (better pay), medical (better health insurance), safety (turnaround time) and artistic concerns (assignment of credit). As Local 700 of the International Alliance of Theatrical Stage Employees (IATSE), an international union over 100 years old, we are allied with some 375 affiliated locals in the United States and Canada. This strength increases our collective power at the bargaining table and results in better contracts with superior benefits. When you join the Motion Picture Editors Guild, you are also becoming a part of a larger entity, the International Alliance of Theatrical Stage Employees, Moving Pictures Technicians and Allied Crafts of the United States, Its Territories and Canada (IATSE). You are joining an organization that is over 140,000 members strong! The primary job of the IATSE (www.iatse-intl.org) is to negotiate the contracts under which we all work and to protect our safety and well-being from employer exploitation. The Union also provides a means of receiving pensions and continuous healthcare, despite working for a variety of employers. This is a rarity in a freelance industry such as ours, and we are fortunate to have well-funded pension and health plans which have among the best benefits to be found anywhere in the country. While corporation health and pension plans are rapidly disappearing, the Motion Picture Industry Pension and Health Plans and the IATSE National Benefit Funds remain solvent and strong due to the diligent commitment of the IATSE and its Locals.