JA

Jess Andrews

Duty House Manager, Access Document Writer And Captioner (trainee) at Royal Court Theatre

Jess Andrews is a versatile theatre professional with an extensive background in various roles including puppetry, management, and facilitation. Since March 2018, Jess has served as an Associate Artist at Little Bean Theatre, specializing in puppeteering and puppet making for productions including "Boh Boh Finds Home" and "Boh Boh's New Friends." In addition, Jess holds multiple positions including Duty Manager at PUNCHDRUNK and Facilitator Manager at The Guardian. Previous experiences include Duty House Manager and Access Document Writer at the Royal Court Theatre, Volunteer Manager for The Cally Festival, and Front of House Manager roles across several organizations. Jess earned a Master of Arts in Theatre Criticism and Dramaturgy from The Royal Central School of Speech and Drama and a BA in Drama from the University of South Wales.

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London, United Kingdom

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Royal Court Theatre

The Royal Court Theatre is the writers’ theatre. It is the leading force in world theatre for energetically cultivating writers ‐ undiscovered, emerging and established. Through the writers the Royal Court is at the forefront of creating restless, alert, provocative theatre about now. inspiring audiences and influencing future writers. We open our doors to the unheard voices and free thinkers that, through their writing, change our way of seeing. Over 120,000 people visit the Royal Court in Sloane Square, London, each year and many thousands more see our work elsewhere through transfers to the West End and New York, UK and international tours, digital platforms, our residencies across London and our site-specific work. The Royal Court’s extensive development activity encompasses a diverse range of writers and artists and includes an ongoing programme of writers’ attachments, readings, workshops and playwriting groups. Twenty years of the International Department’s pioneering work around the world means the Royal Court has relationships with writers on every continent. It is because of this commitment to the writer that we believe there is no more important theatre in the world than the Royal Court.


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51-200

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