Snøhetta
Kaare Krokene is a seasoned architect and managing director with extensive experience in the architectural field. Currently serving as Partner and Architect Managing Director Australasia at Snøhetta since March 2015, Krokene has also held the roles of Managing Director Australasia and Chief Representative Australasia at the same firm. Prior to this, Krokene was Director at JPE Design Studio from April 2010 to February 2015, and Associate Director of Architecture at JPE Design Studio Pty Ltd from 2008 to April 2010. Early career experience includes working as a Graduate of Architecture at Phillips Pilkington Architects from 2002 to 2005. Krokene obtained an Arkitekt degree from The Oslo School of Architecture and Design, completing studies in 2005.
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Snøhetta
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Snøhetta is an international integrated architecture and design firm. The practice has a global presence, with offices spanning from Oslo, Paris, and Innsbruck, to New York, Hong Kong, Adelaide and San Francisco. Snøhetta kick-started its career in 1989 with the competition-winning entry for the new library of Alexandria, Egypt. This was later followed by the commission for the Norwegian National Opera and Ballet in Oslo, and the National September 11 Memorial Museum Pavilion at the World Trade Center in New York City, among many others. Since its inception, the practice has maintained its original transdisciplinary approach, and integrates architectural, landscape, interior, product, graphic, digital design and art across its projects. The collaborative nature between Snøhetta's different disciplines is an essential driving force of the practice. Snøhetta is currently working on a wide range of international projects, including the Ordrupgaard Art Museum expansion in Denmark and the Shanghai Grand Opera House. Recently completed works include Le Monde Group Headquarters in Paris, Europe’s first underwater restaurant, Under, the redesign of the public space in Times Square, the expansion to the San Francisco Museum of Modern Art, Lascaux IV: The International Centre for Cave Art, Powerhouse Brattørkaia and the design for Norway’s new banknotes. Snøhetta’s working method practices a simultaneous exploration of traditional handicraft and cutting-edge digital technology. At the heart of all Snøhetta’s work lies a commitment to social and environmental sustainability, shaping the built environment and design in the service of humanism. Snøhetta believes well-conceived design can help things run more efficiently, improve people’s well-being and make life more enjoyable. Every project is designed with strong, meaningful concepts in mind – concepts that can translate the ethos of its users and their context.